Sonia Sieff casts the silhouette of a biker, fearless and free like those women reporters of the 1970s surveying the battlefield, looking like one of Simone de Beauvoir’s dreams made flesh. For this type of woman—women with eyepieces and darkrooms, filmmakers, art photographers—Sonia possesses a high degree of duality. She’s able to switch spontaneously between masculinity at work and femininity in representation. When we watch her evolving behind the lens, we see that femininity isn’t just a mood, a retractable mode like a cat’s claws, receding into the shadows.
In Rendez-vous ! – echoing her first book, Les Françaises – she recounts her observations about the evolution of the genre, and the revolution in her own way of seeing. For several years, traversing the globe from Northern Europe to the South, as far as Africa, she set out to meet men who dared to bare all in front of the lens, with nonchalance or nervousness, curiosity or reticence. It was the first time for nearly all of them. Reacquainting herself with analog photography and her M6, the photographer captured confrontations, challenges and emotions. The images in this new book attest to her predilection for travelling and skin.